Tag: musculature

  • Insulation

    Insulation

    With the weather being bipolar, I can’t help doodling the winter in the air, with the sun just peeking its nose out. It doesn’t snow here (“where were you for the snow of ‘2010?”), but a layer of permafrost seems appropriate. Just me and the frost are up.

    Seclusion has me deciding to have a little fun with rendering lens flares. I’ve only done it once before and well, I just want to add a little sprucing up of color for the scene. I tend to be too dark at times, but I want to keep this one a deeply shadowed scene.

    Taking a look at a photography blog, I see a pic that gets me excited. As I’m doodling, I have to know what the berries are. According to Siri, Japanese barberry seems the likely answer. Figures I’d pick the Japanese variety. I can’t escape it, Japan must be my spirit animal.

    Claustrophobia is settling in again. My space feels so small, like I’m contorting to make it all work. The feeling of being confined is anathema to me. “If I fits, I sits”? Nope. I’m more “I’m not sugar and spice and everything nice. I’m sage and hood and wish a mufuka would”. Still, this feeling of being trapped remains.

    I’ll forever be drawn to the isolated, the dark side of the moon. It’s a place of shadows and secrets, a silent expanse reflecting a loneliness that mirrors something deep within me. These eyes, holding a subtle luminescence, seem to gaze out from that same hidden realm; a space both melancholic and profoundly beautiful. It’s a reminder that sometimes, the most profound beauty lies not in brilliance, but in the quiet contemplation of what remains unseen.

    Seems like there’s so much division in this country. So much to keep us separated, “not like us”. We’re already an isolation nation. Our bodies are here, but where are we? The algorithm is making us all lonesome.

    I’m thinking about doing a series of doodles. What’s to stop me? Charging past fears of inadequacy, I’ll give bare backs a try. I’ve toyed with them once before and enjoyed the experience. Besides, what could go wrong?*

    *famous last words

    I like the way a slight change in a pose can say something entirely different than before. I try to have eyes set the mood. The body harmonizes to create a verse of its own.

    My lock screen background is one of my favorite older (almost a year!) doodles. One look and I want to bring it out to play too. Feeling like making this one rebellious in her cocoon.

    There’s a playfulness in a look that I want to capture, a divide I want to enclose. It’s not waking life, it’s a dream you know.

    Now for a wee change in perspective and focus of light, the body has this solo. A snarky little smirk and he’s got me.

    Maybe a flicker of memory, maybe just some algorithm that looks familiar; a solitary moment.

  • Climate

    Climate

    Landscape on the horizon. Or rather, it’s been politely suggested to be the compulsion of the week. Words like violence come from my uncle; I need a change of scenery to go with the change in weather. A new atmosphere. Somewhere only we know.

    Being independently minded, I decide I want more hands and body language instead. I’m leaning towards representation and because it makes me nervous to try it out, I push myself to do it. Out of my comfort zone again, I can challenge myself.

    It feels refreshing with the crisp weather greeting me at the door instead of the usual intense blanket of humidity. Sunsets are always better on a cold day.

    Lucky me, I get the chance to see several friends from grade school in person! I gobble up this opportunity to reconnect with core memory moments. On the way back, an image reminds me of lazy childhood days creating outfits for paper dolls. This is kind of like landscaping, in my mind.

    My preoccupation with emotional hands is in full force. I’ll keep practicing with intimacy. There’s a mood to be shared.

    A complex commission comes in. Inspired by Spokane, Washington. I’m not familiar with the original sketch artist, but I’m to recreate the scene and colorize it. An excuse to roam a new city? I need none.

    “Some landmarks mark geography; others mark the heart.
    Bridges, especially, carry more than traffic—they carry memory.
    They span generations, echo footsteps long gone, and hold the silence of shared moments.
    This painting is a tribute to the landmarks that do not simply define a place,
    but preserve the emotions etched into time.
    May it remind us that memory lives not just in locations,
    but in the moments that crossed them, suspended between then and now.”

    There’s this guru in the county one over from my uncle that’s caught my attention. I’m struggling in the web. Who is this man who asks for everything from his followers? Some of which were lost in the woods while trying to leave.

    The smell of misty fog in the morning hovering unhurriedly through the pines soothes my soul. I’m reminded again to be the tiger that sniffs the rose. I am weak to nature’s touch. My environment has its hold on me.

    I’m hit with Nirvana everywhere these days. I wonder how Kurt would have felt about that. Perhaps it was better to burn out than fade away, but the jury is still out. Can we just go back to the 90’s for a day? A day trip.

    I am quietly reminded how none of the women in my doodles seem particularly happy to my uncle. Challenge accepted.

    This may be my last practice of hands for a minute. My desire to render an emotional experience hasn’t faded, only my desire to make hands do the talking.

    The road behind holds only the haunted vapor of the city. Ahead are unfamiliar roads to travel. For now, I take solace in the sights and sounds surrounding this nothing town.

    There’s a stillness in the spirit now that November has hit. The holidays will be upon us, as it does every year, without care to my circumstances. I’ll take these few weeks before the chaotic winter arrives as the eye of the hurricane. The conditions outside beckon.

  • Cheeky (Bonus Edition)

    Cheeky (Bonus Edition)

    I’m feeling boldly randy with this month’s cycle. What started as attempts to practice hands (Curses! Why are they all sausages?!) has become something else. Not to be plain, I want to play with how to express emotion with the hands. I’m always looking for something I’ve never tried. Just to add some extra difficulty, I decide to work on musculature alongside the difficulty of meat fingers.

    Maybe it was bound to happen. Muscles, hands, and mood…  “Percussion. Strings. Winds. Words.”

    I have no bias. I’m a lover of loving love.

    Or maybe I am bias in the way that I like to explore boundaries. Could it be a defense mechanism or an anxious need for validation? Perhaps it’s just way to deal with boredom.

    I’m always working out for ways to play with perspective. Not simply angles, I’m playing with the mind’s interpretation.

    I’ve got a bee in my bonnet. I might have a thing for mouths. Maybe it’s because I’m mighty mouthy. Blame the southerner in me.

    Somewhere I read that Hugh Hefner likes to use the hint of a man being present to create a scene. I’m pondering if it’s to let the male viewer insert themselves into the role. For my doodles, it’s a caught glance, a knowing that remains unspoken.

    I’m in on the secret. I know the handshake and they just put on my jam.

    It’s a smut phase and I’m not sorry about it.