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	<title>chiaroscuro &#8211; Tomes Technique</title>
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		<title>Alchemy of the Interval</title>
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				<category><![CDATA[Artwork]]></category>
		<category><![CDATA[Portraits]]></category>
		<category><![CDATA[anatomy]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Artistic Process]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[chiaroscuro]]></category>
		<category><![CDATA[Creative Inspiration]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[drawing]]></category>
		<category><![CDATA[emotional expression]]></category>
		<category><![CDATA[illustration]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[Original Character]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[personal reflection]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[sepia]]></category>
		<category><![CDATA[sfumato]]></category>
		<category><![CDATA[writing]]></category>
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					<description><![CDATA[It’s time to appreciate the masters again. As if there’s ever a time not to. Today, I am caught between the stark drama of Caravaggio’s shadows and the anatomical grace of da Vinci. My stylus trembles against the glass, searching for that elusive sfumato where bone yields to breath, where structure softens into spirit, and [&#8230;]]]></description>
		
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